EDGAR
ALLAN
Poe


Born Jan. 19, 1809
Portrait
Died Oct. 7, 1849



Poe, a great 19th-century American author, was born on Jan 19, 1809, in
Boston, Mass.
Both his parents died when Poe was two years old, and he
was taken into the home of John Allan, a wealthy tobacco exporter of
Richmond, Va.
Although Poe was never legally adopted, he used his foster father's name as
his middle name.



After several years in a Richmod academy, Poe was sent to the
University of Virginia.
After a year, John Allan refused to give him more money,
possibly because of Poe's losses at gambling. Poe then had to leave
the university.

In 1827 he published, in Boston, Tamerlane and Other Poems. This
was the first volume of his poems, and was published anonymously. The
book made no money, and Poe enlisted in the United States Army under
an assumed name. After he served two years, his foster father arranged
for him to be honorably discharged and to enter the United States
Military Academy. But, within six months, Poe was dismissed because of
neglect of duty.

Poe then began to write stories for magazines. In 1831, he published
Poems by Edgar A. Poe, which he dedicated to the cadets of the
U.S. Military Academy. In 1833, he won a cash prize for the story
MS. Found in a Bottle.
In 1835, he jointed the staff of the
Richmond Magazine, Southern Literary Messenger. Within a year,
the circulation of the magazine increased seven times thanks to the
popularity of Poe's stories.



Poe, however, soon lost his job with the magazine because of his
drinking. In 1836, he married beautiful Virginia Clemm, the
13-year-old daughter of his aunt. The following year he lived in
New York City, and the next year he drifted to Philadelphia. There
he became associate editor of Burton's Gentleman's Magazine.
He contributed literary criticism, reviews, poems, and some of his
most famous stories to this magazine.



In 1840, Poe published Tales of the Grotesque and Arabesque,
a two-volume set of his stories. As literary editor of Graham's
Magazine
, he wrote the famous stories, A Descent into the Maelstrom,
and The Masque of Red Death. In 1843, Poe won a prize of his story
The Gold Bug. This story, along with such earlier tales as The
Purloined Letter
and The Murders in the Rue Morgue, set the standard
of the modern detective story. He reached the heights of his fame in
1845 with his poem The Raven.
That same year he was appointed literary critic of the New York Mirror.



The long illness of Virginia Poe and her death in 1847 almost wrecked
Poe. His mental and physical condition grew steadily worse, and he tried
to commit suicide. Still, in 1848 and 1849 Poe was able to deliver a
series of lecture tours. He died in 1849 in Baltimore, and the notes
from his lectures were published posthumously in 1850, under the title
The Poetic Principles. The work, along with The Rationale of
Verse
(1843) and The Philosophy of Composition (1846) ranks
among the best examples of Poe's literary criticism.


The Raven



Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door;-
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, "other friends have flown
before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'."

But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!- prophet still, if bird or
devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

"Be that word our sign in parting, bird or fiend," I shrieked,
upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!"
Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!

Poe Links
Safe Haven - Edgar Allan Poe
The Edgar Allan Poe Museum